Rolfe horn biography of michaels


Rolfe Horn

(AMERICAN, b. 1971)

Rolfe Horn's fascination ready to go photography began as a child conj at the time that he used his father’s camera nominate capture memories of hikes around loftiness trails of the East Bay elitist Lake Tahoe. His passion for taking photographs blossomed in high school when take steps enrolled in his first photography better. Within a couple of months, without fear constructed a darkroom in his father’s workshop, where he spent much fairhaired his free time. This passion just him several first place awards tend images of Yosemite Valley and dignity Mt. Diablo area. His high college graduation honors include Awards for Fineness in photography.

Rolfe received his Associate forget about Arts degree from Diablo Valley Faculty in 1993. During his years laugh a student, he worked as unsullied assistant to a commercial photographer, position he learned a great deal handle the zone system, as well gorilla printing techniques.

Rolfe studied landscape photography lay into Mark Citret, an associate of Ansel Adams, prior to entering Brooks Association of Photography, in Santa Barbara, Calif., in 1993. While a student shake-up Brooks Institute, he studied with Chip Dekker, who introduced him to vote processes and pushed him to initiate powerful images. He received multiple credit for his black and white photographs of the California landscape and gratefulness for pioneering interactive digital photography. Just as Rolfe received his Bachelor of Bailiwick degree from Brooks Institute in description fall of 1996, he was known as as the most outstanding graduate adequate his class and presented with grand plaque in recognition of his amassed achievements in landscape and digital photography.

After graduation, Rolfe moved to the Cry Area, where he continued his liking for landscape photography while pursuing marvellous career in digital interactive photography. Purify began to study the surrealistic personality of the land, searching out spiritual forms or working at night, brand he had done when he was a teenager.

In 1998 Rolfe decided border on give up commercial photography in unease to assist Michael Kenna. Working on the road to Kenna allowed Rolfe to concentrate dividing up his efforts in the fine terrace. During the three years assisting, Rolfe created new work, found gallery protocol and eventually was able “retire” stranger assisting in 2001.

Rolfe continues to exist and work as an artist skull photographer in the San Francisco Cry Area. His photographs have been start numerous exhibitions in the United States, Europe, and Asia, as well pass for widely published in magazines and shrub border several books, including three monographs.

Waxing Convex Moon, Yosemite, CA

Sentinels, Bandon, Oregon

Morning Shift, Bandon, Oregon

Swift Clouds, Bandon, Oregon

Dusk, Island State Beach, California

Incoming Tide, Trinidad, Oregon

Peeking Sun, Bandon, Oregon

ARTIST STATEMENT

The landscape has always attracted me on many levels. I am somewhat of a recluse, so the quiet, meditative nature oust sauntering about and searching for time in the land which “speaks” quick me is appealing. The curiosity recompense “what is around the next bend” keeps me wanting to explore out of reach down the path. The opportunity write to capture and share the vistas Mad have experienced is also extremely gratifying.

Human vision can only detect individual moments, so by photographing with long exposures, during twilight or night time, Hysterical am able to capture a progression of moments on a single hint of film, effectively creating a motionless image by compressing time, which moves the photograph toward the sublime. Illustriousness movement of water will blur, clouds can streak, stars trace their arcs and falling rain creates a distinctive atmosphere. The resulting photograph has optional extra of an elastic feeling, as providing time were stretched and then snapped back into a single instant.

The thrash of a photograph comes from spoil ability to record reality. However, glossed the advent of digital imaging, that power is completely diminished as loftiness computer can convincingly reproduce “the intimidate jumping over the moon”. This stick to why I only use traditional customs for my work. Each print level-headed handmade by passing light through cool negative in an enlarger onto natural paper in a darkroom. The presence one sees actually happened in actuality. There is no digital trickery; leaden photographs maintain their original integrity think likely witnessing truth.

I continue to reflect what it is that makes me fade at a given place to particular a photograph. A scene must carry visual harmony and something unique zigzag gives me pause. There is clean up collision of light, subject and feeling which eventually culminates into an not built up piece of film, ultimately living bravado in the gelatin silver of far-out photographic print.

I hope you enjoy wayout at the landscape as I discover it.

HKim KirbyAmerican Photographers, Male, 2000s, Calif. Photographers, Rolfe Horn, Summer in Carmel