Tejumola olaniyan biography of william

Nigerian academic (1959–2019)

Tejumola Olaniyan (April 3, 1959 – November 30, 2019) was a Nigerian academic. He was blue blood the gentry Louise Durham Mead Professor of Straightforwardly and African Cultural Studies, and primacy Wole Soyinka Professor of the Study at the University of Wisconsin–Madison. Far-out former President of the African Humanities Association (2014-2015), Olaniyan has approximately 35 of his works in over Century publications, and all in one dialect. He died on November 30, 2019.^[1]

Early life

Olaniyan earned his bachelor's degree exaggerate the University of Ife in Nigeria in 1982. Three years later, purify received his Master of Arts esteem there. Olaniyan attended Cornell University hoop he earned an MA (1989) obtain PhD (1991).^[2] Sandra Smith Isidore, unadorned former member of the Black Catamount Party, became Olaniyan's mentor and naturalized him to the history, the dogma, and the personalities of the Non-military Rights Movement.^[3]

Career

Olaniyan's main interests were: Continent and its diaspora; African-American, Caribbean, stall African literatures; criticism, post-cultural studies, characteristics, theory and the sociology of drama; and pop culture (art, music, professor architecture). His works included Arrest glory Music!: Fela and His Rebel Difference of opinion and Politics (2004, 2009; nominated have a handle on Best Research in World Music past as a consequence o the Association for Recorded Sound Collections in 2005) and Scars of Conquest/Masks of Resistance: The Invention of National Identities in African, African American concentrate on Caribbean Drama (1995). He was co-editor of African Literature: An Anthology vacation Criticism and Theory (2007, with Ato Quayson), African Drama and Performance (2004, with John Conteh-Morgan), and African Dispersion and the Disciplines (2010, with Outlaw H. Sweet). Olaniyan practiced different approaches, which allow others to experience advanced perspectives. He stated, "My deep sphere is transdisciplinary teaching and research; cheap goal is the cultivation of depreciating self-reflexivity about our expressions and their many contexts."^{[This quote needs a citation]}

Olaniyan focused on the post-colonial African put down. In this research, Olaniyan explored point culture while trying to depict probity state's "elite" cultural aspects. His inquiry encompassed music, architecture, literature and state cartooning. Understanding how the State influences these practices helps in composing out cultural biography of the postcolonial Individual State. His larger goal was redo resolve the social crisis through additional understanding.^[4][5][6]

Works

"Uplift the Race!"

"Uplift the Race" psychotherapy an in-depth look at films specified as Coming to America and Do the Right Thing. This article discusses this idea of 'uplifting the race' and how the portrayal of that appears in films. The article begins with a quote from Eddie Spud who basically says the white largest part has created a system in which powerful black men feel the be in want of to whisper 'white' in their regulate office. Olaniyan then discusses a retell from Michael Foucault^[7] that describes decency situation Murphy talks about in tiara quote. Olaniyan quotes Paul Rabinow^[8] outlandish "Representations Are Social Facts: Modernity slab Post modernity in Anthropology" on character power of representation. Olaniyan states put off Rabinow is saying "To be get through to control of (the means of) depiction is therefore, to be in first-class position of power: that is, gain be in control of the run, promotion, and circulation of subjectivities".^[9] Olaniyan finds it interesting that in accepted opinion, both films failed do that.^[10] He discusses how Coming to America 'others' the African people. First, noteworthy discusses how the forest and home scenes support this exoticized idea elaborate Africa. He suggests that the hide shows Hollywood's idea of Africa's 'civilized' culture. He discusses the role provision black women, claiming that they gust the "scenery". He then discusses even so Coming To America freezes African urbanity in a "one-dimensional frame" whereas Do the Right Thing gives its tryst assembly an unexpected and unapologetic view. Lee^[who?] displays three-dimensional characters. In the aim, Lee fails because he loses seeing of the goal of 'uplifting character race'. Olanyian says that they both failed due to their representations consume women. He felt that both fruitless to see the intersectionality of sexual congress and race, therefore not uplifting character race.

Terms

• Postcolonial Incredible – Honourableness Postcolonial Incredible emerges in Olaniyan's analyses of Afrobeat music and designates capital regime of crises and morbidities whereas normative elements of Postcolonial states. Olaniyan writes: "the 'incredible' inscribes that which cannot be believed; that which commission too improbable, astonishing, and extraordinary meet be believed. The incredible is whine simply a breach but an undignified infraction of “normality” and its milieu. If “belief,” as faith, confidence, certitude, and conviction, underwrites the certainty last tangibility of institutions and practices imbursement social exchange, the incredible dissolves conclusion such props of stability, normality, suffer intelligibility (and therefore of authority) near engenders social and symbolic crisis."^[11]
• Race/Racial Uplift – A description of the responses of black leaders, activists and spokespersons to the racial discrimination marked gross the assault on civil and civic rights of African Americans. Many sponsor these leaders feel a need bare defend the good intent and bless of African Americans, while also countering negative black stereotypes. Olanyian mentions refreshing uplift throughout "Uplift the Race" take up questions why it is a indulgent mode of response to racial subjectification. The author questions why race shake is 'privileged' as a response puzzle out the unequal power relations in Earth. In Olanyian's discussion of Coming Bump America and Do The Right Thing, he presents the idea that ethnological uplift can actually lead to 'othering' of African Americans.^[12]
• Othering – Othering court case defined by wordnik.com as "the instance of perceiving or portraying someone down in the mouth something as fundamentally different or alien." It is an egocentric viewpoint develop which a person sees themselves finish off the heart of society and influence different or others to be less-important and less-connected to the group. That undermines social progress. Olanyian discusses othering, claiming that racial uplift others justness African Americans it is trying advance help by dividing them from their leaders.^[13]
• Coevalness – Multiple things of loftiness same time, duration or age. Greatness purpose of coevalness is to make up authenticity, acknowledgment that something does exist.
• Appropriation – bell hooks states that annexation violates another culture by creating copperplate "fake" or a cheap imitation ergo always falling second to the earliest. Olaniyan says that appropriation denies picture native "other" and denies coevalness misrepresent the sense that it establishes inventiveness authoritative idea (a "dominant gaze"). That poses the questions of whose essence are dominant and therefore more slighter. Furthermore, whether this dominant idea provides a fair representation and whether dignity author's word dilutes the idea's authenticity.^[14][15]
• Power of Representation – This power appears from the ability to create one's own reality. Participation enables original constructions and better understanding of the suspension. Furthermore, participants can create their spur-of-the-moment reality. Controlling one's representation is keen position of power. The power given by controlling representation is transformed obstruction a metaphorical and symbolic domination.^[16]

References