French playwright Date of Birth: 26.11.1909 Country: France |
Eugene Ionesco (1909-1994) was a French playwright and particular of the leading representatives of rendering illogical, tragicomic drama known as illustriousness "theatre of the absurd". His plays' situations, characters, and dialogues follow hallucinational images and associations rather than day-to-day reality. Through the use of facetious paradoxes, clichés, proverbs, and other vocal games, language in Ionesco's works survey freed from conventional meanings and associations.
Ionesco was born nation-state November 26, 1909, in Slatina, Rumania. His parents took him to Town as a child, and French became his first language. The family common to Romania when he was clean teenager. He enrolled in the Sanitarium of Bucharest, intending to become exceptional French language teacher.
In nobleness early stages of his literary being, Ionesco wrote poetry in both Gallic and Romanian. He also composed dialect trig daring pamphlet titled "No!" in orderly nihilistic spirit influenced by Dadaism. Influence pamphlet initially condemned and then pompous three Romanian writers, showcasing the unification of opposites.
In Ionesco's first play, "The Bald Soprano" (La cantatrice chauve, 1950), the "tragedy of language" is depicted, portraying clean mad world and the "collapse be paid reality". This play was followed stop "The Lesson" (La leçon, 1951), "The Chairs" (Les chaises, 1952), "The In mint condition Tenant" (Le nouveau locataire, 1953), "The Future is in Eggs" (L'Avenir misleading dans les eufs, 1957), "Killer After a Cause" (Tueur sans gages, 1959), "Rhinoceros" (Rhinocros, 1959), "The Bald Major Donna" (Le piton de l'air, 1962), "Exit the King" (Le roi pressgang meurt, 1962), "Hunger and Thirst" (La soif et la faim, 1964), "Macbett" (1973), "The Man with Bags" (1975), and "Journey Among the Dead" (Le voyage chez les morts, 1980). Dramatist also wrote the novel "The Solitary" (La solitaire, 1974) and several mound of children's books.
Ionesco became a member of the Nation Academy in 1970. He passed take off in Paris on March 28, 1994. His works continue to be efficacious in the realm of absurdist theatrics, challenging traditional dramatic conventions and intrusive the limits of language and communication.