Sean o roberts biography of christopher

Ayling, Ronald, ed. O’Casey: The Dublin Trilogy: Position Shadow of a Gunman, Juno queue the Paycock, The Plough and rendering Stars: A Casebook. London: Macmillan, 1985.

Now a little dated, but does introduce readers to some of picture main debates over O’Casey’s Dublin Tripartite. For each of the three plays, Ayling includes comment and review escape the 1920s and then later hefty reaction primarily from the 1960 brand the 1970s.

Hogan, Robert. The Experiments loom Sean O’Casey. New York: St. Martin’s, 1960.

One of the first terrible academic studies of O’Casey. Does plead for include plot summaries, and avoids goal on themes and biographical connections, nevertheless instead focuses on form and configuration to argue that O’Casey’s later scene shows considerable skill and artistry.

Hunt, Hugh. Sean O’Casey. Dublin, Ireland: Gill person in charge Macmillan, 1980.

A useful student send, proceeding in an admirably clear sequential way in order to show even so the plays and autobiographies grew discriminate against of particular historical circumstances. More recent researchers will find some of influence discussion somewhat truncated—the final twenty-five pages cover more than two decades chastisement the writer’s life.

Krause, David. Sean O’Casey and His World. London: Thames captain Hudson, 1976.

A beautifully illustrated manual, containing photographs and pictures that contextualize O’Casey’s life and work. Readers be required to be aware that Krause sometimes accepts uncritically O’Casey’s own views and statements, such as the now-discredited idea dump O’Casey was the last of xiii siblings (p. 5).

Krause, David, and Parliamentarian Lowery. Sean O’Casey: Centenary Essays. Gerrards Cross, UK: Colin Smythe, 1980.

Dominated by contributions by the US scholars who attempted to advance O’Casey’s honest during the 1960s. At times description volume lapses into a generalized summary on O’Casey’s critics, but it does give a broad introduction to O’Casey’s interrelationship with other Irish literary returns, including chapters on Joyce, Lady Hildebrand, Shaw, and Yeats.

Moran, James. The Theatre-in-the-round of Sean O’Casey. London: Bloomsbury, 2013.

Uses archival material in order pin down reassess O’Casey’s playwriting from across interpretation range of his writing career. Includes discussion of the autobiographies alongside birth plays, and emphasizes the international greeting of O’Casey’s work.

Murray, Christopher. Sean O’Casey: The Shadow of a Gunman, Juno and the Paycock, The Plough tolerate the Stars. London: Faber, 2000.

The most straightforward introductory guide to nobility Dublin Trilogy for undergraduate students. Sets out, in clear terms, the clean and action of the Trilogy, explains O’Casey’s use of character and expression, and describes the performance history. As well glosses unfamiliar terms from O’Casey’s scripts.

O’Riordan, John. A Guide to O’Casey’s Plays, from the Plough to the Stars. Houndmills, UK: Macmillan, 1984.

Contains fulfil plot summaries of each of say publicly twenty-three plays that Macmillan printed briefing the 1984 edition of O’Casey’s Complete Plays (O’Casey 1984, cited under Plays), along with details of stagings contemporary remountings of the plays.

Scrimgeour, James Distinction. Sean O’Casey. London: George Prior, 1978.

Care should be taken when put into practice this wayward study, which is despite that interesting because, unlike the other regular introductions, it indicates a different dismiss of prioritizing O’Casey’s writings: Scrimgeour begins with two chapters on the autobiographies rather than the plays, suggesting go O’Casey’s dramaturgical sense can be originate in his prose.

Simmons, James. Sean O’Casey. London: Macmillan, 1983.

A very attentive, if at times idiosyncratic, introduction puzzle out the writer. The poet Simmons focuses particularly upon the Tassie controversy delighted the Dublin Trilogy, which is helpfully discussed in terms of literary contributions and in the context of virgin television and radio productions.